Day 4: Permission to knock

Does anyone have this? I need to watch it.
Does anyone have this? I need to watch it.

Dug into the play today. Realized I have no idea what constitutes a productive day of writing. I’m used to jamming it in wherever, ten pages or two lines or just in time for a deadline. I heard someone mention “an idea I had long ago, before I knew how to write a play,” and felt vaguely alarmed.

“Every institution is the lengthened shadow of one man” — Ralph Waldo Emerson, according to the Synanon museum website.

As I work on this play, I find myself researching things that may have little or nothing to do with the play, but which I can’t believe I didn’t know about. Like Synanon. And H.D. You know, Hilda Doolittle.

“The … terror that scares us from self-trust is our consistency; a reverence for our past act or word because the eyes of others have no other data for computing our orbit than our past acts, and we are loath to disappoint them.” Dancing for Steve Allen about 1960Also Emerson, according to the Synanon museum website. Where I also found this picture. I’m not sure why Steve Allen is there, or what it means that they’re allegedly dancing for him, but I can’t stop looking at it.

Here’s how respectful people are of your work here: After dinner, a couple of writers were going to go for a walk. “I’m thinking around 8:30,” said one. “Do I have permission to knock on your door?”

Writing doesn’t necessarily equal work, and vice versa. Yes, it’s impossible to measure. But still, how much work should one get done in a day to justify that?

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